Reverse glass painting is one of Konya’s traditional crafts that is slowly fading. Yet today, a number of dedicated artists continue to recreate ancient examples using modern techniques, catering to collectors and enthusiasts. These paintings often explore religious, literary, and social themes.
Historically, reverse glass paintings adorned homes, coffeehouses, mosques, and lodges. They served multiple purposes: attracting good fortune, warding off the evil eye, promoting fertility, or simply adding decorative charm. Their popularity grew significantly in the late 19th century, thanks to their affordability and ease of production. Until recently, artisans in Konya were actively producing and selling these vibrant works.
Reverse glass painting holds an important place in Turkish folk art. It flourished between the 19th and early 20th centuries, gaining wide appreciation for its religious motifs. These works were believed to protect against the evil eye, disease, and misfortune, while also bringing prosperity and abundance. As a result, they were commonly displayed alongside lithographic wall panels in mosques, tekkes, tombs, coffeehouses, and various shops.
A defining characteristic of Turkish glass paintings is the use of flat colors, with minimal light or shadow, giving the figures a distinctive two-dimensional appearance. Texts and illustrated scenes were often adorned with decorative flowers, bouquets, wreaths, geometric patterns, or borders of small blossoms. Sometimes, a curtain motif in various colors was incorporated, reflecting influences from European reverse glass paintings. The adoption of Baroque and Rococo elements into Turkish art became especially noticeable from the 18th century onward, as the Ottoman Empire engaged in cultural exchanges with Western countries.